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Open a larger version of the following image in a popup: R. B. Kitaj, Los Angeles No. 26 (Nose Kiss), 2003

R. B. Kitaj

Los Angeles No. 26 (Nose Kiss), 2003
Oil on canvas
91.4 x 91.4 cm
36 x 36 in
Copyright The Artist
View on a Wall
In 2005, Kitaj appended the following text to accompany this work: This painting was inspired by the Judeophile Rembrandt, blessed be he, of two old Jews shmoozing in their Synagogue,...
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In 2005, Kitaj appended the following text to accompany this work:

This painting was inspired by the Judeophile Rembrandt, blessed be he, of two old Jews shmoozing in their Synagogue, a print of which [Sigmund] Freud had in his consulting room. The two Jews are now Sandra and me bewinged, Los Angeles. The Kitaj Angel, after Rembrandt’s old Jew is of exaggerated girth with a head of quite wide geography. He/I looks by chance like a cross between myself and the Lubavitcher Messiah Schneeerson. My shoulder-insignia is that of a self-awarded Jewish General. This painting is the latest episode in my Greatest Story Ever Told, The Woman-Man Story. I’m still trying to solve the color in this painting, reading the section on visualization of colours in Moshe Idel’s Kabbalah.

R.B. Kitaj: How To Reach 72 In A Jewish Art, exh. cat., Marlborough Gallery, 2005, p. 57.
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Provenance

R.B. Kitaj Estate

Exhibitions

2005, New York, Marlborough Gallery, R.B. Kitaj: How To Reach 72 In A Jewish Art, 1 March - 2 April 2005, cat. no. 50
2013, Venice, California, L.A. Louver, R.B. Kitaj, 10 Oct. - 9 Nov. 2013, unnumbered

Literature

R.B. Kitaj: How To Reach 72 In A Jewish Art, exh. cat., Marlborough Gallery, 2005, cat. no. 50, p. 57 (col. illus.)
Marco Livingstone, Kitaj, Phaidon, 2010, cat. no. 847, p. 280
R.B. Kitaj
, exh. cat., L.A. Louver, 2013, pp. 38-39 (col. illus.)
Eckhart Gillen, ed., R.B. Kitaj: Confession of an Old Jewish Painter, Schirmer/Mosel, 2017, p. 339 (col. illus.)
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